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Nothing is left to the viewer's imagination. Thankfully, it is supported by a very strong script by Oliver Stone probably good therapy for him, considering the coke habit he was tackling at the time. Al Pacino has been criticized to be over-the-top and loud in this movie. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him.

This movie is entertaining and you will never get bored. A classic is also something that everyone praises but no one has read. And it really does seem like he has enjoyed himself thoroughly in all his scenes! Not so much a tale of caution as a disaster in progress, ''Scarface'' rips across the screen with the unstoppable force of a runaway train. He can do any role that he puts his mind to, and this was no exception. After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Nothing in the lives of these characters really matter, not on any human level at least. This isn't Brian DePalma's strongest directorial effort, it is occasionally excellent and well-handled particularly the memorable finale , but frequently sinks to sloppy and misled. There is definitely a very 80s feel to this movie. First off, the film is about a Cuban refugee, with a past of wanting to escape communism grasp and find happiness.

He can do any role that he puts his mind to, and this was no exception. The film is rather lengthy, but it is a story, and each moment counts.

Scarface - This being said, the film is indeed a great film.

Synopsis In 1980 Miami, a determined Cuban immigrant takes over a drug cartel while succumbing to greed. Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Columbian drug dealers goes bad. He also brings a new level of violence to Miami. Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down. If the movie has a flaw, it's that it comes at you like a raging bull. It doesn't so much engage the viewer as assault him. Nothing is left to the viewer's imagination. Moroder's languorous synthpop fits the action to a tee. Like the chorus in a Greek tragedy, it wails and gnashes, broods and tugs, a constant reminder of Tony's inexorable fate. Not so much a tale of caution as a disaster in progress, ''Scarface'' rips across the screen with the unstoppable force of a runaway train. A Cuban refugee named Tony Montana Pacino comes to America for the American Dream. This gangster movie is very violent, and some scenes are unpleasant to watch. This movie has around 180+ F-words and is almost three hours long. This movie is entertaining and you will never get bored. You cheer for the Drug-lord, and in some scenes you find out that Montana isn't as evil as some other Crime Lords. This is a masterpiece and i recommend that you see this. You will not be disappointed. A classic is also something that everyone praises but no one has read. People and critics and rappers for that matter deem this film 'an epic gangster classic' or 'eptiome of gangster films. It is praised for all the wrong reasons. Scarface is a terrific film that deserves praise from all over, but not all the praise it gets from audiences today, and therefor the fine points it so poignantly makes are missed by the general public. First off, the film is about a Cuban refugee, with a past of wanting to escape communism grasp and find happiness. But the layers of De Palma's directing genius, and the great story written by Oliver Stone yes I know, he actually wrote a real good one here play into all of it. The characters are all looking for an escape, as escape is a natural element dealt with in the film by all. Each character has something to offer, that makes them likable by everyone who could appreciate this film. They are entwined in a world of mystique and money, but all that has a price, as they all learn. Each character thinks they are getting better chances in life, when in true dramatic irony, they are actually getting worse. All those who praise the film for it's drug usage, it's violence, it's dialog, totally missed the point. There is nothing really positive about the film besides the characters positive expectations of themselves. And that is why the film works so well. The devastation through out the film serves to deliver the message of the film, not to look cool or attract viewers. Brian De Palma doesn't make movies for cult gangsters, or brainless action fans. Next on, the film is an adult drama. It is not a 'gangster film'. It has it's share of action, but the action is plotted very carefully, so it has a point. If this film is about that, then it is about how bad it is. Not a promotion of it. This being said, the film is indeed a great film. It has great cinematography that pulls you into the story. It has a very dramatic score in true Giorgio Moroder style , which simply could give you chills, or bring you to tears. The film is rather lengthy, but it is a story, and each moment counts. The acting is terrific. Al Pacino - enough said. He can do any role that he puts his mind to, and this was no exception. Pretty boy Steven Bauer, as Manny. I didn't think much of him in other films he did, but he actually makes you like him when he goes under maestro De Palma's direction. Michelle Pfeiffer is a true gem as Elvira. But the three true diamonds in this rough are Mary Elizabeth Mastrontonio as Tony's sister Gina, who when she smiles, or cries, we see her soul and her fresh way of living, and watch it deteriorate; Paul Shenar as Alejandro Sosa, a drug lord, who runs deeper than a river, and Shenar portrays him as so; and Miriam Colom as Tony and Gina's torn mother. These three dig the film as deep as it can go. Always go into a film unsuspecting. All the hype and talk of this film cannot possibly prepare you for what you really see. Only knowing De Palma like I do can give you even a glimpse of what this film holds.